Infinity Furniture

Reupholstery · restoration

Better than new. And still your chair.

New webbing, new springs, new foam, and the cloth you picked. The frame you already love, firm underneath and finally the colour you wanted.

Before and after: a worn brown leather tub chair, and the same chair recovered in blue hydrangea print.
It came in as brown leather Same frame · now hydrangea print
See more that came back

01 — What we do

Why it will sitbetter than new.

Three layers go back in, in this order. Cheat the bottom one and you feel it by winter.

The green velvet armchair and its matching companion chair, as they arrived.
It stops moving 01 · The bones

Every joint that has let go comes apart and glues up under cramps. Drop into it and nothing creaks or shifts.

Joints · corner blocks · laid cord

A charcoal chaise with a buttoned seat, on pale tapered legs.
It holds you up 02 · The sit

Webbing, springs and foam come out and go back new. A fresh pad laid over a collapsed one just collapses again.

Webbing · hessian · foam or hair

Close on a blue-grey sofa with vertical fluting running up the back and rolled arms.
It looks like yours 03 · The cloth

Cut to your piece off your own old cover. The pattern lands centred on the back and runs unbroken across every seam.

Velvet · weave · leather

02 — Straight answers

Is it worthdoing?

Send the photo and you get one of these three, in plain words, before anything is cut.

  1. Almost always

    Yes. Do it.

    Hardwood, cut joints, good lines. A loose frame and a tired cover are ordinary work with an end you can picture.

  2. Ask us first

    Tell us about it.

    Stapled softwood, or a piece patched three times already. If you love it, say so — that changes the answer.

  3. The honest no

    Keep your money.

    No sound timber left to hold a screw. We would rather lose the job than sell you a repair that fails.

What moves the figure

What the frame needs, how much of the inside is replaced, and how much cloth a big repeat eats to match across a seam. You get it in writing, before anything is cut. Price bands to be confirmed

03 — Character

Pick the clothyou actually want.

Botanical print. Hydrangea blue. Cartoon cloth on a child’s chair. A sound frame carries all of it — so skip the safe beige.

A small armchair recovered in a bright botanical print, beside a stack of fabric samples.
A tub chair recovered in a blue hydrangea print, on tapered timber legs.
A child-sized armchair recovered in a bright cartoon print.
A carved cameo-back chair recovered in a pale textured cloth, buttoned into the oval back.
A pair of chairs in blue hydrangea print with a teal throw across one arm.
The botanical-print armchair from the front, on dark timber legs.
A small armchair recovered in a bright botanical print, beside a stack of fabric samples.
A tub chair recovered in a blue hydrangea print, on tapered timber legs.
A child-sized armchair recovered in a bright cartoon print.
A carved cameo-back chair recovered in a pale textured cloth, buttoned into the oval back.
A pair of chairs in blue hydrangea print with a teal throw across one arm.
The botanical-print armchair from the front, on dark timber legs.

04 — What to send

Three photos.That is the whole ask.

  1. The whole piece, straight on

    Pull it clear of the wall, stand back, square to the front.

  2. Whatever bothers you most

    The bald arm, the split rail, the seat you sink into. Close enough to fill the frame.

  3. The underside, if something broke

    Tip it gently onto something soft. Webbing, blocks and old repairs all show down there.

Please do not tidy or cover the piece before you photograph it. The worn patches are the part that tells us what needs doing.

Daylight, not flash. Your phone is fine.

A navy fluted sofa with a matching glass-topped ottoman on a patterned rug.

Start withone photograph.

One photo and a line about what bothers you. You get a straight answer back, including when the answer is no.

The workshop is in Bengaluru

A carved chair in gold velvet, buttoned into the tall back.